Johnny Butler is a Grammy-award winning saxophonist, recording artist, arranger, composer, and technologist who thinks in terms of the cosmic sphere rather than just musical feeling of the terrestrial. His leanings are in terms of not just earthbound music you might expect to hear traveling around the globe in the traditional sense but rather what impulsive music might go on in our heads and what it might sounds like if music could be heard from the stars and the celestial environment. We hear a wide panorama of sounds, colors, and movement in Johnny Butler’s music – some mystically dark and introspective, some wildly slashing and throbbingly incandescent and others floating evanescent and ethereal. Johnny Butler’s music is a bridge between past and present, with a creative legacy that spans decades, equally influenced by the Seattle grunge rock he grew up with as Miles Davis, boom-bap hip-hop, and John Coltrane. With his band Johnny Butler & The Epic Fail, he has developed a reputation for presenting multi-disciplinary experiential performances frequently incorporating dance, makeup, costumes, and even clowns into his live shows.
Johnny’s recent album HyperViolet is a sublime, expansive spiritual jazz-fusion masterpiece. Celestial, fiery, and trance inducing in nature, HyperViolet delivers a supremely transcendental musical message. Since it's release by London-based Hi4Head Records, the album has garnered as much praise overseas as in the US. The Wire says, “Johnny Butler is the real deal - he arranged for Beyoncé, for God's sake – and HyperViolet is just about the freshest thing you'll hear all year.” Likewise, Jazzwise Magazine UK says “Brimming with brass-swinging, rhyme-slinging cuts…acolytes of Glasper, Spaulding, and Steve Lehman’s Sélébéyone project would be well advised to seek it out.”
Originally born in Seattle, WA to a musical family, Johnny Butler began his explorations into music at a very young age, spending countless hours playing the saxophone and composing on the piano. He started working as a professional musician at 12 years old, playing around the Seattle scene, sneaking into bars and venues across the city, playing with rock bands, jazz groups, and hip-hop projects. During his time in high school, Johnny played with Michael Shrieve (Santana), Reggie Watts, Roy Hargrove, Wynton Marsalis, Skerik, and Cedar Walton, won numerous awards and praise, and toured America, China, and Europe. After high school, Johnny went to the Oberlin Conservatory of Music where he met his mentor Gary Bartz and studied jazz and classical composition and was selected to play in the nationally-touring Oberlin Jazz Septet.
When Butler first arrived in Brooklyn, he helped found the group Sister Sparrow & The Dirty Birds. Sister Sparrow & The Dirty Birds provided Johnny with a rare opportunity to develop his own concepts while touring for four years and releasing two albums on Modern Vintage Recordings.
Johnny is extremely self-challenging and exploratory; he is uninhibited by conventional attitudes. In his evolution as a notable composer and improviser, he founded the avant-garde jazz metal outfit Scurvy to push the boundaries of traditional sonic territories. Scurvy signed to London’s Hi4Head Records and gave Johnny a fiery atmosphere to explore new musical constructions. All About Jazz writes: “Saxophonist Johnny Butler’s band Scurvy underscores close relationship between punk rock abandon and the freedom of improvised music while also incorporating ambitious compositional ideals found in both progressive rock and modern jazz.”
While on tour with Scurvy, Johnny was granted a change to deeply explore technology as a tool to expand the sonic possibilities of his compositions and performance practice. He met his new mentor Todd Reynolds, violinist and Ableton-sponsored Artist, and released his first completely solo saxophone and electronics EP, called SOLO, in 2008: an innovative solo saxophone album recorded in real-time with no overdubs or pre-recorded material. Entrancingly ethereal, SOLO received critical acclaim despite clocking in at a mere 24 minutes. Downbeat wrote: “After dabbling with resonances from John Coltrane and Miles Davis and enveloping his processed saxophone sound in cavernous reverb, Brooklyn-based Johnny Butler turns a polyphony of overdubbed horns (triggered by laptop) into Fritz Lang’s Metropolis machine on SOLO.”
Butler’s second solo saxophone loop-based album Carousel continued to reflect his passion for technology and performance, and was voted “Best of 2013” by Jazz Journalists Association. Continually innovative, creating an introspective moody travelogue through the Brooklyn cityscape. Carousel clearly demonstrated Johnny Butler’s inclination to expand beyond terrestrial means.
Butler’s 2014 EP Raise It Up took the saxophone into another dimension with a provocative style that is as thoughtful as it is danceable. Step Tempest wrote that “Raise It Up is a glorious mash of styles, sounds and soul music, not so much a display of technical prowess as it shows what a strong producer/arranger Johnny Butler is becoming.” Similarly, Nextbop wrote that “Raise It Up is a more dance/hip hop-focused album that includes more involved production, various samples, and a more hodgepodge sensibility that adds even more lushness to Butler's repertoire.” With a formidable 7-track lineup of original songs, Raise it Up includes a smorgasbord of free/uncleared samples and instrumental contributions by Kassa Overall and many others.
Recently Johnny has also been working as a film maker, collaborating with Dani Mari to create a trio of short horror films inspired by Dario Argento’s trilogy about witches The Three Mothers (Le Tre Madri), (Suspiria, Inferno, Mother of Tears). The three videos were premiered with a live musical performance at the opening night of the Brooklyn Horror Film Festival for a sold out audience. The first film of the trilogy “Sighs” was premiered on WXPN on Halloween 2015, the second film "Darkness" was premiered on Friday the 13th by Brooklyn Vegan, and the third film "Tears" was premiered on Screamfix on Halloween 2016 at midnight.
Over the years, Johnny Butler has performed, written, and recorded with many of his musical heroes, notably becoming a Grammy-award winning recording artist and arranger for his work with Beyoncé on her album 4, and has played with Donald Fagen, tUnE-yArdS, Warren Haynes, the Levon Helm Band, Govt Mule, Rubblebucket, Joe Lally (Fugazi), Strangefolk at StrangeCreek, La La Brooks of Phil Spector’s Crystals, The Skeletons Big Band, recorded with Grammy-award winner and former American Idol Judge Randy Jackson at Jim Henson Studios in Los Angeles, and has opened up for Stevie Wonder, Lettuce, Common, Medeski Martin and Wood, Rebirth Brass Band, The Avett Brothers, Dr. John, Fitz and the Tantrums, Counting Crows, moe., Soulive, Sharon Jones and Dap Kings, Trombone Shorty, Grand Funk Railroad, Galatic, Allen Stone, Turkauz, and the Funky Meters at venues such as Mountain Jam, Montreux Jazz Festival, San Sabastian Jazz Festival, Bear Creek, Gathering of the Vibes, Telluride Jazz Festival, Voodoo Fest in New Orleans, North Sea Jazz Festival, and Bonnaroo.